Aid is all very well but fair exchange and self awareness may matter more

by Dr Mia Perry

If you have £10 in your pocket and you want to do some good for the world, what is the best way to spend the money? Is it more helpful to donate to an international charity, or pay steep prices for local produce over cheaper, often more accessible products, that have been imported from Africa?

I ask myself this question frequently. My work takes me to places far removed from my home to ‘help,’ to ‘develop,’ to ‘solve problems.’ What makes me think that my good 
intentions, my money, my version of developed/sustainable/happy have any relevance to communities in Malawi or Uganda? How can I make choices at home that create a positive impact?

In the name of “development” and “aid” billions of pounds have been spent from the Global North on challenges materialising in the Global South: from poverty to environmental protection, from gender equality to health. Countless academics, development workers, and administrators have focused on innovation, intervention, programmes and practices on supporting development in the “developing world”.

In the name of #Development #GCRF @SF_Africa https://t.co/mjDU1uvtz1

— Molly Gilmour (@MVGilmour) April 12, 2018

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The Sustainable Futures in Africa Network (sustainablefuturesglobal.org), a consortium I lead, 
is a collective of researchers, educators, development workers, and communities that spans the UK (primarily the University of Glasgow) and countries across Africa (Malawi, Uganda, Botswana, and Nigeria in particular).

We work across diverse areas of expertise, sectors, and geographies to address the social, cultural, and ecological aspects of sustainable development. Together, we focus on questions about how to rethink the development research status quo for more positive future outcomes.

The flow of aid money and resources, coupled with increasing global morality and mobility is broadening pipelines between the Global North and South, yet there is an unsettling current to development trends.

In reality, the Global North (albeit an ever-decreasing section of the Global North) becomes ever more powerful and prosperous, and more resilient to climate change; while the Global South addresses an ever-decreasing area of fertile land, a growing population of people living in poverty, and an increasing threat of food security. For all of our good intentions and promises of funding and expertise, global inequalities and development challenges persist – in many areas increase.

The Sustainable Futures in Africa Network has grown out of questioning this type of development and development-related research.

The Sustainable Futures in Africa Network has grown out of questioning this type of development and development-related research. We are convinced that there are fundamental oversights in the practices, processes and natures of collaborations.

Unless we make decisive changes to the ways we collaborate, across the vastly different settings of our homes, cultures, and disciplines then substantial resources will continue to be spent at a rapid pace; but the trajectory of change and development in the world will remain consistent with that of the past 50 years. The north gets richer, the south gets poorer. Why would we expect anything different if we continue as normal?

Global challenges relating to poverty and environmental sustainability in the Global South require engagement with multiple disciplines, knowledge, and stakeholders.

The challenge goes beyond working across science, society, and culture. It encompasses working across very different perspectives and lived experiences.

We cannot genuinely support positive change or sustainability without ways to communicate and collaborate across these differences. As we do so, we find that no one alone has the solution, no one knows ‘best,’ but together we discover directions and possibilities that make sense (and often surprise) all involved.

As I give, donate, or purchase to 
create positive change, I am 
making a difference to others and also to myself. I am accountable for the giving, but also for the impact of the giving. I am mindful of the consequences of my donation or contribution; conscious that I do not want to contribute to the same systems of global inequality that I am trying to alleviate.

So, I choose to spend my £10... in exchange for a product or cause that I am engaged with and understand. This might look like a fair-trade purchase from a market in my neighbourhood instead of a cheaper 
version at the large chain supermarket, or choosing to purchase a locally produced or second-hand shirt rather than the cheaper new one from a brand-name company who source labour and materials from resource-poor countries such as Bangladesh. Positive influence in the world must be based on fair exchange and self-awareness, not simply good intention or aid.

For More Information:

https://www.scotsman.com/news/opinion/mia-perry-aid-is-all-very-well-but-fair-exchange-and-self-awareness-may-matter-more-1-4718285


ECOaction

SFA partner Reagan Kandole founded a Waste Management Education Project “ECOaction” where he engages the youth and the community in handling waste

We’re a registered environmental, non-profit organization, currently located and operating within in Banda, one of Kampala’s slum areas.  Since 2011 we support disadvantaged youths and women from this area, through multiple activities, aiming to build sustainable livelihoods as well as new and additional income opportunities.

Over the last seven years, our main beneficiaries and partners have been a group of garbage collectors, who lived in the Banda area. This community consists of 106 individuals, mainly single mothers and children, who collect and sort garbage, like plastic bottles or scrap metal, for saleable items. For specific activities, the group was always joined by several other, unemployed youths from the area. Some of the activities carried out have been: engaging in urban farming (kitchen gardens and poultry); briquette making from biodegradable waste; composting; greenhouse construction; construction of children’s playgrounds; building bathroom shelters out of plastic bottles; public art installations; school libraries or conduction of waste management workshops.

The outcomes, especially given the very few available resources, have been impressive and have led to a significant improvement of the livelihoods of the involved people and their environments. Unfortunately our community was then suddenly displaced in 2017, as the landlord decided to develop the land and evicted everybody within a week of notice. Since then the community members are dispersed and live under extremely vulnerable situations.

But this unforeseen event also gave us, as a very young organization, the chance to evaluate and review our structures and processes. To learn from the experiences we’ve made and to identify the necessary steps to sustainably implement the concept of Zero Waste and make it available to everybody. Because our vision includes, but yet goes far beyond, the improvement of individual livelihoods. Our goal is to create an environmental movement in Uganda which promotes the benefits of an eco-friendly society beyond trash, and where empowered and responsible citizens live in harmony with their environment.

Vision Statement:

An empowered and responsible society where citizens live in harmony with their environment, while sustainably creating new job opportunities for the most marginalized urban youth and women through innovation in waste management

Mission Statement:

Creating an environmental movement in Uganda which promotes the benefits of an eco-friendly society beyond trash through capacity development, community empowerment, innovation and partnerships across sectors.

For more information and for more colourful and creative photos check out the ECOaction

https://www.facebook.com/524175797672978/videos/1711759998914546/

 

 


Art and Development walking hand in hand

by Stewart Paul

I was fortunate to be amongst those who helped organize and participate at the workshop on “Exploring the role of Arts in Development Projects” held in Lilongwe at the beautiful Child Legacy International premises on 17th of January this year. As part of the Sustainable Futures in Africa (SFA) network, this workshop was amongst the many activities done in Uganda, Malawi, Botswana and Nigeria where SFA members are based. For Malawi, I felt it was high time that artists and development practitioners work together on sustainability issues. This will help them to think out-of-the-box and come up with new and creative ideas to solve sustainability challenges. As part of Abundance, I attended the workshop with Abundance’s Director, Ruth Mumba and felt that it was very well organized and participants appreciated this endeavor. Initially, we had no clue what the workshop outcomes would be as it was such a novel concept. But after the workshop ended and when we reflected on it, we have realized that it was indeed an enriching experience.

Elson Kambalu, a visual artist who is also a film-maker introduced the workshop and talked about the need for artists and other partners in the development sector to work together and he explained his plan to produce a documentary of the workshop for the next SFA meeting which was to be held in Lagos, Nigeria. The ice-breaker session was interesting and Sharon Kalima got the participants to play games and get to know each other. I had a chance to present about the SFA network and share some views from the SFA meeting I attended in Botswana last year.

Helen Todd of Arts and Global Health Center Africa (ArtGlo) introduced the World Café method of participants working together and developing ideas. We all sat in mixed groups of artists, development practitioners and academicians and brainstormed on sustainability topics and how arts can play a role in such work. Some of the ideas that emanated were that Government should incorporate arts into basic education, introduce more art trainings and provide funds to artists. Organizations must include art through engaging creativity of artists into development projects, we felt.

One challenge discussed was that of how art could solve ecological and social challenges Malawi faces. Solutions aired by participants were many including composing traffic jingles for civic education, imparting knowledge through art on cultural heritage and importance of ecological sites, documenting cultural art and disseminating it through libraries, etc. Overall, participants agreed that artists must be included right from inception of any project, after all art is close to people and people can relate to art. We must promote arts as a platform for discussion of development issues. Local songs, dramas and creative messages can help advocate for sustainability issues such as promotion of renewable energy.

Ruth Mumba got a chance to present about Abundance’s work and Helen Todd presented about how ArtGlo had successfully incorporated art into development projects in Malawi. The participants were treated to a tour of the Child Legacy International premises which is a sustainably-built center. On our way back to our homes, we all felt that we made new friends and learnt a lot. I hope this is just a starting point and a lot of projects can be generated from the ideas generated from this workshop.


After Lagos: Reflections and New Horizons in the SFA

The line between the personal and the professional is one that is more defined for some than others - what we feel versus what we think, what we love versus what we do. The line between the past and future is also held (in the present moment) differently from person to person. For some, the present is contingent on the past, seen through the eyes of, and felt through the experiences of, the past. For others, the present is made up of what is seen around you now; and is a stance that is looking towards the future, able to see it best if looking directly at it, with one’s back to the past. As I reflect on my work in international contexts, with development and sustainability related projects and partners, and in particular with my colleagues across the Sustainable Futures in Africa Network over the past weeks and years, I realise that those lines between personal and professional, and between past and future, become ever harder to make out, ever more slippery. My personal, my history and inheritance, my instincts and emotions, my profession and my expertise seem entirely entangled. It is with this recognition that I share the following statement, taken in part from an opening address to our recent symposium, and in part from a period of reflection in the immediate aftermath.

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Panel Event: Moving towards a new approach to development-related research

From the 26th to the 28th March 2018 the Sustainable Futures in Africa Hub Coordinators and Administrators from Scotland, Malawi, Nigeria and Botswana met at the University of Glasgow.

The following items were on the agenda:

  1. Successes and Challenges of running the administration/infrastructure of the SFA Network Hubs
  2. Open Panel Presentation at the University of Glasgow
  3. Harmonization of Administrative Structures of the Network
  4. Strategic Needs and Direction for the Network

For more information you can read the report: Report SFA Hub Coordinators and Administrator Meeting April 2018

Glasgow Workshop
SFA Hub Coordinators and Administrators, University of Glasgow April 2018

 


Panel presentation

Sustainable Futures in Africa: Moving towards a new approach to development-related research

The Sustainable Futures in Africa (SFA) Network brings together researchers, practitioners, and communities from the Global North and Global South in one platform for learning, partnerships, and new approaches to research and development. Network hub coordinators from Malawi, Nigeria, Uganda, and Botswana join us for a panel discussion on the evolving practices of the SFA. In particular, the presentations and discussion will revolve around the challenges and possibilities of working across differences of discipline, sector, and geography. We promise a lively discussion, open to many perspectives, contexts, and questions.


Prioritizing the Challenges to the Development of Mining Communities in Nigeria

Prioritizing the Challenges to the Development of Mining Communities in Nigeria.

Sustainable Futures in Africa researchers from Obafemi Awolowo University and Women Environmental Programme headed to Komu-Igbojaye-Babaode Mining Communities in Oyo State to experiment methodologically  to uncover the socio-ecological impact of the mining on the local community.

You can find a snapshot of the trial below, where a drone was used to gather geographical information to support the data analysis.

A detailed report from our last research trial is here for more information: https://sustainablefuturesinafrica.files.wordpress.com/2017/05/itagunmodi.pdf


SFA researchers from Obafemi Awolowo University and Women Environmental Programme conducted field trials in the Isoya Community, Western Nigeria to explore the use of rituals in agriculture:  the indigenous practice of using dead dogs to control termites in cocoa farmlands.

Cocoa is the leading agricultural export of Nigeria, the country is currently the world's fourth-largest producer of cocoa, yet termite control becomes the major challenge for the plant cultivation. Though existent agricultural practice provides a range of plant protection solutions, the Nigerian farmers prefer to employ native rituals.

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Various beliefs guide the norm of ritual practice in Nigeria. The tradition of using the dead flesh in agriculture has been restricted in the country, yet farmers claim this method to be the most effective to prevent termites invasion and keep on practising this ritual through the restriction.

For the local farmers, this practice has a dual meaning: rational and spiritual. Rationally, they use decaying flesh to bring ants to the field in order to exterminate termites.  For this, the farmers palm-oil dead dogs and bury animals on every corner of the field. Spiritually, the farmers believe in a mysterious connection between dogs and termites that adds particular significance to the practice.

An interdisciplinary analysis will be conducted on this data during the upcoming Symposium and results will be shared shortly.

This January, SFA ran a Community Awareness event in Kampala, Uganda, to develop a deeper understanding of the impact of plastic waste on the environment and community life.
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In the recent years, Kampala, the capital city of Uganda, has witnessed an alarming growth of waste that equals to 730,000 tons a day, of which only 1% is currently recycled. SFA researchers from Makerere University and representatives of the Ugandan Art Trusts met the local community in Banda, Kampala city, to find possible solutions to plastic waste disposal through the art and culture practical tools. This event was hosted by EcoAction, a non-government organisation led by Reagan Kandole, an eco-artist and lecturer at Kyambogo University.
The participants gathered in the community space, designed out of plastic bottles, to find the answer to the question on how cultural practices can help to address the problem of waste disposal. The community members came out with some sketches on waste management, followed by the group discussion facilitated by the SFA researchers from the Makerere University.
At the end of the workshop, the community came up with various solutions on waste utilisation that we would be happy to share shortly.

ecoAction

EcoAction works in the field of waste management and environmental problems that threaten the health and quality of li
fe of the communities in the region for many years.  One example of a recent project delivered by EcoAction involved the local community in the creation of a mural aimed at educating community members about different recycling practices.  For more information, please visit the EcoAction website.

Africa in Motion (AiM)

Africa in Motion (AiM) is an annual African film festival, taking place in Scotland, consisting of film screenings and complementary events. It was founded by SFA partner Dr Lizelle Bisschoff. Now in its twelfth year, AiM brings the best of African cinema to Scotland—making it possible for Scottish audiences to engage with African stories and industry professionals from the continent.  Our 2017 festival was a great success, attracting diverse audiences to events in both Edinburgh and Glasgow. We presented a varied programme with a range of genres and events, with over 80 films from 28 countries. The programme included a number of dine-and-view events that paired food with films from the continent, community screenings, films accompanied by panel discussions and Q&As, workshops and even a club night!

Diversity and inclusion is at the heart of Africa in Motion, and at the 2017 festival we further developed our efforts to create an inclusive festival programme. This is hugely important for AiM as 27% of our audiences come from a BAME background. Many of our events were free, and we offered free tickets for refugees and asylum seekers for paid screenings (in particular we partnered with the Unity Centre offering free screenings to their members). Our programme was also inclusive in terms of gender, with 18 of the films in the programme being F-rated, meaning they were directed by women and/or have a strong female focus.

For more information, see: www.africa-in-motion.org.uk

https://www.facebook.com/aimfilmfest/

 

https://twitter.com/AiMfilmfest


Art & Global Health Center Africa (ArtGlo)

The Art & Global Health Center Africa (ArtGlo) fosters creative leadership and implements innovative, arts-based, health-oriented programmes that inspire and mobilise. We believe in the transformative power of the arts to facilitate experiential learning, strengthen communities and foster empathy and cross-cultural understanding. Our vision is to serve as an “incubator” for arts-based approaches to actionable social change, creating replicable models that challenge barriers to healthy living.

Three programmes, MAKE ART/STOP AIDS, Students with Dreams and 'Umunthu', are the core of the Art and Global Health Center. MAKE ART/STOP AIDS brings together uses participatory arts to address issues of stigma, fear, prevention, testing and treatment, culminating in the creation and execution of action plans. Students with Dreams empowers young leaders to create and implement innovative programs in response to challenges they see in society, such as: gender inequality, education, human rights, HIV/AIDS and more. The 'Umunthu' Programme uses the arts to catalyse reflection and discussion, providing a platform to address issues of stigma and discrimination through the lens of “Umunthu.” Art and Global Health Center Africa also ran a successful project in 2016 and 2017 in partnership with World Food Program using Theatre for Development as a methodology for engaging communities around issues relating to food security and Water, Sanitation and Hygiene.

For More information:

https://www.facebook.com/aghcafrica/

http://www.aghcafrica.org/

Read the ArtGlo 2017 annual report here: ArtGlo Annual Report 2017 (low-res)

https://twitter.com/aghcafrica1